Circle art – 4x Circle http://4xcircle.com/ Mon, 26 Sep 2022 02:02:53 +0000 en-US hourly 1 https://wordpress.org/?v=5.9 https://4xcircle.com/wp-content/uploads/2021/11/icon-120x120.jpg Circle art – 4x Circle http://4xcircle.com/ 32 32 Post Malone hospitalized for “throbbing pain”, cancels his concert https://4xcircle.com/post-malone-hospitalized-for-throbbing-pain-cancels-his-concert/ Sun, 25 Sep 2022 23:06:00 +0000 https://4xcircle.com/post-malone-hospitalized-for-throbbing-pain-cancels-his-concert/ A week after falling through a hole on stage during a concert, Post Malone canceled a Saturday night concert in Boston, saying he was in a hospital struggling with his breathing and “throbbing pain”. It was the second hospital visit in about a week for the 27-year-old rapper, whose full name is Austin Richard Post. […]]]>

A week after falling through a hole on stage during a concert, Post Malone canceled a Saturday night concert in Boston, saying he was in a hospital struggling with his breathing and “throbbing pain”.

It was the second hospital visit in about a week for the 27-year-old rapper, whose full name is Austin Richard Post. After the accident at St. Louis’s Enterprise Center on Sept. 17, he was treated for bruised ribs, according to an Instagram post from his manager. Malone later said on Twitter that “everything is fine.”

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But he woke up on Saturday with “cracking noises” on the right side of his body, he said.

“I have a lot of trouble breathing and there’s like a shooting pain every time I breathe or move,” Malone written in social media posts about 30 minutes before the start of the concert. “We’re in the hospital now, but with this pain I can’t do the show tonight.”

The tickets will be valid for a rescheduled concert which is in the works, he said, apologizing for not being able to perform on Saturday. The venue, TD Garden, had announced minutes earlier that the concert was canceled “due to unforeseen circumstances” and that fans should keep their tickets for a new date.

Malone has been on the road since September 10 for his 33-city Twelve Carat Tour, promoting his fourth album, “Twelve Carat Toothache.” He had a week and five stoppages when he had the crash on stage in St. Louis.

Video footage of the incident showed the artist reaching out to grab fans’ hands while performing “Circles.” He turned and walked to center stage, then walked into an open area and fell, appearing to catch himself with his upper body. He climbed out of the opening and lay down on his back. The music stopped.

Doctors helped Malone offstage, but he later returned and continued the show.

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In a video shared on Twitter the next day, the rapper said the stage opening was meant to allow instruments to be lowered. He said falling through him ‘blew me out pretty bad, made me pretty good’, adding that he was given painkillers in hospital.

Malone thanked fans for their support and promised to continue the tour.

In his Saturday message announcing the cancellation of the Boston show, he said he felt “terrible, but I promise you I’ll make it up to you.”

“I love you Boston, see you soon,” he concluded.



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BLACKPINK, NCT 127 & IVE Top Circle (Gaon) Weekly Charts https://4xcircle.com/blackpink-nct-127-ive-top-circle-gaon-weekly-charts/ Sat, 24 Sep 2022 03:26:46 +0000 https://4xcircle.com/blackpink-nct-127-ive-top-circle-gaon-weekly-charts/ Circle Chart (formerly known as Gaon Chart) has released its chart rankings for the week of September 11-17! Album chart BLACKPINK achieved a Triple Crown this week after topping three separate charts: Physical Albums Chart, Global K-Pop Chart, and Social Chart. BLACKPINK’s new studio album “BORN PINK” entered the physical album chart at No. 1, […]]]>

Circle Chart (formerly known as Gaon Chart) has released its chart rankings for the week of September 11-17!

Album chart

BLACKPINK achieved a Triple Crown this week after topping three separate charts: Physical Albums Chart, Global K-Pop Chart, and Social Chart.

BLACKPINK’s new studio album “BORN PINK” entered the physical album chart at No. 1, while the KiT version of the album also charted separately at No. 4.

NCT 127’s new album “2 Baddies” debuted at No. 2 on the chart, followed by IVE’s “After LIKE” at No. 3 and JYJ Kim Jaejoong’s “BORN GENE” at No. 5 .

Download the graphic

NCT 127’s new title track “2 Baddies” debuted at No. 1 on the digital download chart this week, while BLACKPINK’s new title track “Shut Down” entered the chart at No. ° 2.

IVE’s latest hit “After LIKE” soared to No. 3 of the week, and Lim Young Woong swept the next two spots on the chart with his songs “If We Ever Meet Again” and “Our Blues,” which are upgraded to No. 1. .4 and No. 5 respectively.

Global digital array

IVE maintained its double crown on this week’s Circle charts, topping both the overall digital chart and the streaming chart for the third week in a row with “After LIKE.”

The top four songs on this week’s overall digital chart remained exactly the same as last week: IVE’s “After LIKE” came in at No. 1, NewJeans’ “Attention” at No. 2, “Pink Venom” by BLACKPINK at #3, and NewJeans’ “Hype Boy” at #4.

Finally, Block B Zico’s “Street Man Fighter” hit “New thing” (featuring Homies) rose to No. 5 on this week’s chart.

Streaming Graph

The top five songs on this week’s streaming chart were exactly the same as last week: IVE’s “After LIKE” continued its reign at No. 1, followed by NewJeans’ “Attention” at No. 2, BLACKPINK’s “Pink Venom” at #1. 3, NewJeans’ “Hype Boy” at No. 4, and Girls’ Generation’s “FOREVER 1” at No. 5.

World K-Pop Chart

BLACKPINK continued to top Circle’s new Global K-Pop Chart (which is based on global streaming) with their pre-release single “Pink Venom”, while their new track “Shut Down” made its debut. debut at No. 3.

IVE’s “After LIKE” maintained its position at No. 2, while NewJeans’ “Hype Boy” also retained its spot at No. 4.

Finally, TWICE’s “Talk that Talk” completed the week’s top five.

social board

BLACKPINK retained its spot at No. 1 on the social chart this week, with BTS remaining strong at No. 2.

Lim Young Woong and NewJeans ranked No. 3 and No. 4 respectively, while TWICE came in at No. 5 for the week.

Congratulations to all the artists!

Spring (1)


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‘Danger!’ Competitor returns to game after 50 for full circle moment https://4xcircle.com/danger-competitor-returns-to-game-after-50-for-full-circle-moment/ Fri, 23 Sep 2022 19:58:46 +0000 https://4xcircle.com/danger-competitor-returns-to-game-after-50-for-full-circle-moment/ Just over 50 years after its first appearance in the series, Martha’s batha retired CPA from Seattle, returned to Danger! for a second chance at the grand prize. In 1972, Bath missed out on the game show championship title. “Fifty years ago this spring I was on the original daytime show with Flemish art in […]]]>

Just over 50 years after its first appearance in the series, Martha’s batha retired CPA from Seattle, returned to Danger! for a second chance at the grand prize.

In 1972, Bath missed out on the game show championship title. “Fifty years ago this spring I was on the original daytime show with Flemish art in New York,” she said to host Ken Jennings. She didn’t go home empty-handed at the time, winning $40 and a set of encyclopedias (which she still has!), but it certainly wasn’t what she was hoping to win.



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“All Rise!” by Mark Ulriksen | the new yorker https://4xcircle.com/all-rise-by-mark-ulriksen-the-new-yorker/ Thu, 22 Sep 2022 21:26:53 +0000 https://4xcircle.com/all-rise-by-mark-ulriksen-the-new-yorker/ On Tuesday, September 20, Aaron Judge, the Yankees’ star six-foot-seven outfielder, hit a home run deep into the left-field bleachers. It was his sixtieth of the season. Only Babe Ruth and Roger Maris have reached that number in American League history. (Maris holds the record at sixty-one, but for how long?) Mike Kessler, the twenty-year-old […]]]>

On Tuesday, September 20, Aaron Judge, the Yankees’ star six-foot-seven outfielder, hit a home run deep into the left-field bleachers. It was his sixtieth of the season. Only Babe Ruth and Roger Maris have reached that number in American League history. (Maris holds the record at sixty-one, but for how long?) Mike Kessler, the twenty-year-old fan who caught the ball, in a move that led one sportscaster to dub him “baseball fan’s purest alive,” gave it back to the judge, free of charge. It was Judge’s story, he said. He told the assembled reporters that he only had one thing to ask of the player, who will become a free agent next season: “Try anything to come back next year. You are the heart and soul of the ball club. For the cover of the October 3, 2022 issue of the new yorker, Mark Ulriksen celebrates the remarkable achievement of Judge. I recently spoke to the artist about his love of baseball.

When did you start paying attention to Aaron Judge?

As a die-hard baseball fan, it’s hard to miss Aaron Judge. It is so dynamic, exciting and huge! He’s a real superstar. His at-bats are a must see. Judge is getting a lot of attention here in San Francisco because he grew up a Giants fan in Central Valley, and he’ll be a free agent after this season. Every baseball team would love to sign him.

You couldn’t wait to draw it. What about its construction so interesting?

It’s not often that I manage to caricature a six-foot-seven, two-hundred-eighty-pound athlete. By cropping his feet and face and juxtaposing him with a standard-sized baseball player – who themselves are tall – I was trying to convey his size. He is one of the greatest positional players in the game’s long history.

What makes baseball interesting for you as an artist?

Baseball has always been my favorite sport, maybe because I grew up there. It’s a sport full of big and small; players are all unique. This also applies to the architecture of baseball stadiums. Can anyone tell the difference between one basketball arena and another? No. But Yankee Stadium is so different from Fenway Park.

How do you portray the action in a single image?

I’ve always been drawn to suspended animation, to capturing motion frozen in space. Athletes also have particular ways of exercising their profession. A pitcher’s motion can be instantly recognizable to fans, just as the judge’s swing is distinctly his own.

Do you collect snapshots and spend time drawing people you find interesting, or do you prefer to rely more on your imagination?

When I started as an illustrator, after a career in graphic design, I only drew on my imagination. Then an art director told me my characters were ugly and off-putting. Since then, I rely on photographic references. I have files of photos taken from periodicals and organized into different categories: walking, sitting, standing, handshakes, kisses, etc., as well as baseball, basketball, soccer, football, etc. I draw people when I go to music festivals – which I do a lot – but the sketches are always the same, a bunch of interesting, anonymous people drawn from behind.

Have you ever attended a game at Yankee Stadium?

A few weeks ago, my wife, Leslie, and I took a short vacation to Manhattan, and I attended my first game at the new Yankee Stadium. We were both very impressed, and my wife is not a sports fan at all. We loved how you can walk around the stadium during the game and see the pitch from all sorts of perspectives. We sat down with the fun and loud creatures from Bleacher. We loved how the grounds crew got the crowd dancing to ‘YMCA’. It was a great experience.


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Billy Strings and Willie Nelson performing “Will The Circle Be Unbroken” at Outlaw Music Fest is a full jam session https://4xcircle.com/billy-strings-and-willie-nelson-performing-will-the-circle-be-unbroken-at-outlaw-music-fest-is-a-full-jam-session/ Thu, 22 Sep 2022 02:30:29 +0000 https://4xcircle.com/billy-strings-and-willie-nelson-performing-will-the-circle-be-unbroken-at-outlaw-music-fest-is-a-full-jam-session/ I don’t think I’ve seen that many people on stage since my college choir gig…which obviously wasn’t up to the musical caliber of this band. Last week by Willie Nelson traveling music festival, Outlaw Music Festival, made a stopover in Bridgeport, Connecticut. On this leg of the tour, the incredible Billy strings stopped to play […]]]>

I don’t think I’ve seen that many people on stage since my college choir gig…which obviously wasn’t up to the musical caliber of this band.

Last week by Willie Nelson traveling music festival, Outlaw Music Festival, made a stopover in Bridgeport, Connecticut.

On this leg of the tour, the incredible Billy strings stopped to play some tunes. Strings took to the stage with many artists, including Nelson’s son, Micah Nelson.

That night, the entire crew took to the stage to perform the iconic anthem “Will The Circle Be Unbroken.”

Willie Nelson starts the piece with a grater with an opening line, “Will the circle be unbroken / Soon, Lord, soon.”

The sound team gets to work setting up the microphones for the “choir” while Strings strums and quickly adds his signature bluegrass acoustic we all know and love.

Micah Nelson helps his father sing the lyrics while Strings picks up the guitar. Willie works between the lines to keep the crowd going.

The whole performance is one solid jam session. Everyone cheers, shares the mics, sings along with the crowd and has a blast.

Nelson signals, “Big finish,” as they wrap up the melody.

The band disappears from the stage, and then Nelson decides to give the crowd one more as a heavy finisher…and it’s a good one, a cover of Mac Davis’ “It’s Hard To Be Humble.”

The finale is the perfect moment between father and son as they close the evening in song together.

I think I have to add Outlaw to my list of festivals because of the recently released videos.

“Will the circle be unbroken”

With Nitty Gritty Band, Johnny Cash, Ricky Skaggs, Emmylou Harris, Roy Acuff and many more

“It’s Hard to Be Humble” by Mac Davis


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Why Sheryl Lee Ralph’s Emmy Win Was “Truly a Full-Circle Moment” https://4xcircle.com/why-sheryl-lee-ralphs-emmy-win-was-truly-a-full-circle-moment/ Tue, 20 Sep 2022 23:08:47 +0000 https://4xcircle.com/why-sheryl-lee-ralphs-emmy-win-was-truly-a-full-circle-moment/ When Sheryl Lee Ralph took the Emmy stage last week for a standing ovation, it was a long time coming. In fact, some in the entertainment industry believe that Ralph has been waiting more than three decades for an award of this caliber. Ralph, who won the Emmy for Outstanding Supporting Actress in a Comedy […]]]>

When Sheryl Lee Ralph took the Emmy stage last week for a standing ovation, it was a long time coming. In fact, some in the entertainment industry believe that Ralph has been waiting more than three decades for an award of this caliber.

Ralph, who won the Emmy for Outstanding Supporting Actress in a Comedy Series, attracted legions of fans for playing Philadelphia schoolteacher Barbara Johnson in the ABC hit Abbott Elementary School. It was Ralph’s first Emmy win, although the actor has given fans an illustrious list of credits since the 1970s. Over the years, she has won and been nominated for a number of awards from prestigious interpretation, although none are as poignant as this Emmy.


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Social Circle Softball Begins Regional Play While Considering Regional Championship Repeat https://4xcircle.com/social-circle-softball-begins-regional-play-while-considering-regional-championship-repeat/ Tue, 20 Sep 2022 16:02:18 +0000 https://4xcircle.com/social-circle-softball-begins-regional-play-while-considering-regional-championship-repeat/ SOCIAL CIRCLE, Ga. — For most of the season, it’s been smooth sailing for the Social Circle Lady Redskins, finishing their out-of-region program with a 9-2 mark. All of that is behind them now that regional play has begun. Social Circle is 2-1 to start its Region 5A-Division I slate with wins over Jasper and […]]]>

SOCIAL CIRCLE, Ga. — For most of the season, it’s been smooth sailing for the Social Circle Lady Redskins, finishing their out-of-region program with a 9-2 mark. All of that is behind them now that regional play has begun.

Social Circle is 2-1 to start its Region 5A-Division I slate with wins over Jasper and Oglethorpe counties and loss at Prince Avenue.

Head coach Chris Davis feels his team is in a “good position”.

“I said to the team, ‘It’s a new season and I’m looking at it as we are. [2-1] over the year,” Davis said. “Are we there already? No. But we are better than we were.

The Lady Redskins began their regional schedule with an 11-2 win over Jasper County. Then, Prince Avenue got the better of Social Circle in a 1-0 pitching duel. The final regional contest was an extra leg, 4-3 win over Oglethorpe County.

In close games, Davis credited the competitive nature of his team that they displayed.

Kaylynn Scaffe and Madalyn Spinks believe there has also been a change in attitude with the start of regional play. Scaffe stressed the importance of each player’s desire to perform better for the rest of the season.

“It’s more serious,” Scaffe said. “There is a need to win. Even though everyone wants to win every game, now there is more need.

Scaffe went 2-for-4 at the plate and contributed three RBIs in the 11-2 win over Jasper County on Sept. 8.

Part of his performance featured a home run. The moment was also huge for Scaffe.

“It was my first home run of the school season,” Scaffe said. “It was very exciting and it makes me want to keep working harder to start again.”


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The monarchy sends a message with the funeral of Queen Elizabeth: they live on https://4xcircle.com/the-monarchy-sends-a-message-with-the-funeral-of-queen-elizabeth-they-live-on/ Mon, 19 Sep 2022 23:49:00 +0000 https://4xcircle.com/the-monarchy-sends-a-message-with-the-funeral-of-queen-elizabeth-they-live-on/ Of all the intricate choreography of Queen Elizabeth II’s procession and funeral, the most eye-catching moment took place inside Westminster Abbey, when the issue of repositioning her heavily ornate coffin for her exit was graciously resolved. As the organ notes sounded at the end of the service, the eight soldiers who had carried the queen’s […]]]>

Of all the intricate choreography of Queen Elizabeth II’s procession and funeral, the most eye-catching moment took place inside Westminster Abbey, when the issue of repositioning her heavily ornate coffin for her exit was graciously resolved.

As the organ notes sounded at the end of the service, the eight soldiers who had carried the queen’s coffin approached it again, so tightly grouped that they seemed to form one body dressed in red. Dividing into pairs, the soldiers slowly slid and hoisted the coffin onto their shoulders. Now for the hard part: rotating the coffin to point towards the door – without moving its accessories, including a flower crown, imperial crown, scepter and orb.

Taking slow, sideways steps, the soldiers smoothly walked a full circle, scooch by scooch, a single unit gently sweeping with its precious burden in a rather tight space.

The precision rotation resembled the operation of a large ticking clock. Perfectly performed, it was a curiously satisfying theatrical moment.

In all the military formations, colorful uniforms, hymn-singing and sermons, I searched for elements like this – the artistry and drama of those rare royal funerals and processions. Where was the art in the middle of the staging? Where was it as moving as it was spectacular? What was the theme of the event and how successfully was it expressed?

After all, the queen’s rites were not an end. It was a theater of power. His aim was to show unwavering continuity. The state and crown gears still turn smoothly – as they always have and always will.

Nothing is over, said all the military parades; the old legacy of the monarchy lives on.

We are a united front, the pursed-lipped royal family said, marching behind the coffin in well-choreographed order.

Indeed, the morning procession seemed so timeless and steeped in history that you half-expected all the princes and princesses to turn out like royalty from oil paintings and fairy tales, in flowing dresses. and velvet waistcoats. But the military influence dominated – the procession was a brilliant operation, with each branch represented in colorful finery. Senior members of the Queen’s family wore their military uniforms and medals, with two painful exceptions.

Outstanding in their morning suits were the veterans who were barred from appearing in uniform: Prince Harry, who walked away from royal life to protest the treatment of his wife, Meghan, Duchess of Sussex, and the scandal-stained Prince Andrew stripped of his military titles following a sex abuse lawsuit, which he settled while denying the allegations.

Well, Buckingham Palace wrote the script.

Iron discipline was everywhere in evidence. Nature kindly cooperated; London’s notoriously temperamental weather showed restraint. A sky of a neutral and peaceful taste offered no distractions. Streaks of pale blue appeared discreetly here and there, not distracting from the main attractions.

Occasionally, a light breeze lifted the corners of the many flags along the mall and ruffled lines of feathered plumes. In the bright, filtered light, the magnificent objects on the queen’s red and gold coffin were the stars – the jeweled crown and scepter, the golden orb.

All dazzled. The procession was a visual feast, adapted to our visual culture. Entertainment was far from the top order of the day here, but the Queen, who played a role in event planning, knew how much the TV cameras loved the royal pomp. In 1952, when her father, King George VI, died, interest in his funeral was so high that it sparked a wave of massive television purchases. (The procession was televised, although the funeral was not.) The TV bombshell moment came the following year when the Queen allowed TV cameras at her coronation.

Mindful of her own stardom as the most famous woman in the world, and as a final gesture towards the public duty so central to her life, the Queen designed her funeral as a long, long look at what was dear to her. It was a chance for the world to see the greatness, importance and power of the British monarchy, in glorious motion. With London itself transformed into one big stage.

It was a procession for an icon. But where was the woman? This matchless 96-year-old, legendary dynamo, mother of four, grandmother, great-grandmother, bereaved widow. The remarkable person bent over his cane in his drab, ordinary cardigan, and smiling so cheerfully with the new Prime Minister two days before his death. Where was she in the midst of greatness?

The most poetic — and personal — touch was the wreath of pink and purple flowers on her coffin, massed in a natural, graceful mound. Garden roses, dahlias, sprigs of rosemary and oak leaves got to soak and sway. King Charles III chose them, some from his mother’s marriage, others collected from his favorite homes. Amidst all the sharp edges of the army, these flowers were the only nod to a softer side of the queen.

Impressive as the events were, I came away feeling that we had lost something of the woman herself. Unless I missed it, there were few mentions in the sermons of her feelings for her children and grandchildren, or of any special and remarkable moments with an audience member who might have touched her, or of their own personal preferences. There were no startling or witty anecdotes (is it too American of me to seek a little levity?), no insight into the woman’s heart.

She wanted it that way, I guess – she was a woman who shared her private self with very little. The official stamp of the queen, so to speak, is felt in the sermons which praise her duty above all else. She was remembered for her work ethic – one for the ages.

Still, there were moments of intense emotion amid all the emphasis on discipline, lines and strict formations. The music was most moving when the whole gathering at Westminster Abbey sang, as in “The Day Thou Gavest, Lord, Is Ended” – that warm, full, velvety swell of collective voices.

Some of the drama may have only existed in his imagination, but who hasn’t felt a sharp pain seeing Princes William and Harry so coldly apart? It was 25 years ago almost to the day that they were united in shock at the funeral of their mother, Diana, Princess of Wales, following her excruciatingly early death. There they walked side by side behind his coffin like grieving young brothers. Now we have seen William in his Royal Air Force uniform saluting his grandmother’s coffin and the war memorial known as the Cenotaph, while next to him his brother did not. – but surely wanted to. He was forbidden to do so (see the palace script above). This moment struck me in the heart.

The bugle call “The Last Post” towards the end of the Abbey service also touched me. All I could think of was the same fanfare played at the funeral of the Queen’s husband Prince Philip a year ago when covid precautions kept attendance drastically low and the queen sat down all alone in her mask at the end of a bench.

Yet: Continuity. Order. The theme resonated from start to finish, even if it felt a little forced at times.

Fortunately, a real healing balm was present: the children. Formal debates have never seemed more honest and tender than when the cameras caught a glimpse of the young people who took part.

There were the altar boys, all with golden voices and gentle faces. And the children of William and Catherine, Princess of Wales – Prince George, 9, and Princess Charlotte, 7, attend their great-grandmother’s services fervently in tiny funeral attire. With all the spectacle in sight, it was these children who added bittersweet emotion and surprising, genuine humanity – and continuity in the fullest sense.


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The Vineyard Gazette – Martha’s Vineyard News https://4xcircle.com/the-vineyard-gazette-marthas-vineyard-news/ Mon, 19 Sep 2022 17:56:00 +0000 https://4xcircle.com/the-vineyard-gazette-marthas-vineyard-news/ Between Owen Park and West Chop Cemetery, Vineyard Haven’s main street was once the seasonal home of four internationally acclaimed writers and a renowned journalist. Summer neighbors Art Buchwald, Lillian Hellman, John Hersey, William Styron and Mike Wallace all lived on the harbor side of the street during the second half of the 20th century. […]]]>

Between Owen Park and West Chop Cemetery, Vineyard Haven’s main street was once the seasonal home of four internationally acclaimed writers and a renowned journalist.

Summer neighbors Art Buchwald, Lillian Hellman, John Hersey, William Styron and Mike Wallace all lived on the harbor side of the street during the second half of the 20th century. Four of the five decide to stay in the small 1791 cemetery, also on the east side of Main Street.

“The harbor and the boats somehow unite all these writers,” said amateur historian Wayne Nichols, who led a walking tour of the neighborhood Saturday afternoon for the Vineyard Haven Public Library.

More than 15 people gathered at the bandstand in Owen Park to start the tour with Mr Nichols, who also leads walking tours of St. Croix, US Virgin Islands, in character as Alexander Hamilton.

In the early 1980s, Mr Nichols told the group, he was living on the island and got a summer job as a driver for Ms Hellman.

The tour stopped at several places, including the local cemetery where most writers are buried. — Mark Alan Lovewell

“She loved to fish. That’s how I met her,” he said, recalling his first meeting with the famous playwright and author who, despite several blows, continued to sail on his fishing boat Julia.

Recruited by Julia’s skipper Jack Koontz – a longtime former fishing columnist for the Gazette – to one day help lift Ms Hellman between the ship and the dock, Mr Nichols said he got on well with the author and had ended up with a job carrying her high-profile diners.

“She was known as one of the greatest hostesses,” Mr Nichols said, adding that he was sometimes invited to join the party if Ms Hellman wanted her guests to stay a little longer.

Ms Hellman’s former summer residence, Mill House, was demolished and rebuilt not too long ago, Mr Nichols said as the tour group stood in the driveway overlooking the property to the brightly colored shingles.

Mr. Hersey’s Italianate villa, Hedge Lee, still stands above the harbour. Built in the 1920s, the red-tile-roofed house became the Hersey family’s summer home in the 1960s. During the off-season, they shared a resort with author Ralph Ellison in Key West, said Mr. Nicholas.

Pulitzer Prize-winning A Bell for Adano novelist Mr. Hersey also reported on and wrote about Hiroshima in the aftermath of the US nuclear bombing of Japan. He is also the author of Blues, a series of essays inspired by fishing in the waters of the vineyard. Mr. Hersey died in Key West in 1993 and became the first of four authors buried in West Chop Cemetery.

In Mr. Buchwald’s shaded former home, across from the library, a semicircle of white Adirondack chairs sat empty on the wide green lawn as if waiting for the comedian and his neighbors, especially Mr. Styron and Mr. Wallace, resume one of their summer conversations.

These three men had more in common than their minds, their Pulitzers and the Vineyard. They were all suffering from depression, Mr Nichols said. Mr. Styron wrote one of his most famous books, Darkness Visible, about affliction.

Calling themselves the Blues Brothers, the three friends took daily walks along Main Street, Mr Nichols said. Passing by the cemetery each time, Mr. Buchwald, Mr. Styron and Mr. Wallace decided they also wanted to spend eternity there together, Mr. Nichols said.

Mr Styron went the first of three, at the end of 2006 at age 81. His headstone is inscribed with stars and a crescent moon above the waves and the words, from Darkness Visible, “And so we went out, and once more saw the stars.”

Mr. Buchwald followed in early 2007, also at age 81, after entering hospice more than once and writing an unexpected final book, Too Soon to Say Goodbye. Its stone bears the image of a manual typewriter with inserted paper, ready for the author’s ideas.

Mr Wallace lived to be 93 and died in 2012. His stone, like Mr Hersey’s, simply states his name and dates.

According to a tradition also observed in other cemeteries on the Island, small pebbles had been left on the arched top of each writer’s stone in tribute to the memory of the author.

Ms Hellman died in 1984 and is buried in Abel’s Hill Cemetery in Chilmark.

“There’s always an exception with Lillian Hellman,” Mr. Nichols said with a smile.


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Ocean’s Eleven star Henry Silva dies aged 95 https://4xcircle.com/oceans-eleven-star-henry-silva-dies-aged-95/ Sun, 18 Sep 2022 04:36:15 +0000 https://4xcircle.com/oceans-eleven-star-henry-silva-dies-aged-95/ Henry Silva, a charismatic actor who appeared in hundreds of films including ‘Ocean’s Eleven’ and ‘The Manchurian Candidate’, died Wednesday of natural causes. He was 95 years old. According to Variety, in John Frankenheimer’s timeless thriller “The Manchurian Candidate” (1962), Silva played Chunjin, the Korean servant of Laurence Harvey’s Raymond Shaw and a communist agent […]]]>

Henry Silva, a charismatic actor who appeared in hundreds of films including ‘Ocean’s Eleven’ and ‘The Manchurian Candidate’, died Wednesday of natural causes. He was 95 years old.

According to Variety, in John Frankenheimer’s timeless thriller “The Manchurian Candidate” (1962), Silva played Chunjin, the Korean servant of Laurence Harvey’s Raymond Shaw and a communist agent who engages in an exhilarating martial arts duel and expertly choreographed with Frank Sinatra. Major Bennett Marco in Shaw’s apartment in New York.

Silva starred opposite Sinatra in a number of other films, such as the 1960 Rat Pack classic “Ocean’s Eleven,” which also starred Dean Martin and Sammy Davis Jr., and the Western “Sergeants 3” by 1962.

Dean Martin’s daughter, Deana Martin, posted on Twitter: “Our hearts are devastated by the loss of our beloved friend Henry Silva, one of the nicest, kindest and most talented guys I’ve ever had. had the pleasure of calling my friend”. first to report his death. He was the last surviving cast member of the first Oceans 11 movie. Henry, you are loved and will be missed.

ooSilva grew up in Spanish Harlem after being born in Brooklyn. His parents were Italian and Puerto Rican, according to the book “Hispanics in Hollywd.” He dropped out of school at the age of 13 and began taking acting lessons, supporting himself by working as a dishwasher and then as a waiter. In 1955, Silva applied to the Actors Studio and was selected as one of five students out of 2,500 applicants.

He made his big screen debut in Elia Kazan’s 1952 film “Viva Zapata!” with Marlon Brando, and his television debut on “Armstrong Circle Theater” in 1950, both uncredited.

Silva married twice in the 1950s; his third marriage, to Ruth Earl, lasted from 1966 to 1987 before ending in divorce.


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